I read an
article a long time ago where it was claimed there was no such thing as writer’s
block. If the pen stopped moving or if the keys stopped clicking, all you had
to do was push on regardless and fix it in the re-write. Nobody ever gets to see the first draft, it was said.
Which I
suppose is true. Nobody beyond yourself, and perhaps a select group of friends,
will ever know if the first draft sucked or how many well imagined scenes you
elected to omit. That’s the way it goes. That’s the process of writing. The
closest analogy I can find is to say writing, fiction writing at least, is like
fumbling your way through the dark until you eventually find the flashlight.
I’ve spent a
lot of time looking at the screen recently; waiting for the moment the words began
to flow again. I half expected this to happen somewhere between my second and
third cup of coffee, because history has proven that’s how it occasionally happens.
Except when it didn’t happen at all this time … well … let’s just say there was
a long period of mourning for my muse.
I was
thirty-some-thousand words into what I thought was a great story when the words
dried up. I couldn’t understand it. Why? I had the characters. I had the plot. So
why weren’t the words coming?
Oh, sure, I
tried to forge my way through nonetheless, but I only ever ended up deleting
what I’d written back to the point the muse had dried.
I discovered
a day or so later that I wasn’t suffering from writers block.
What I
discovered was that I’d introduced various elements which, simply, didn’t need
to be introduced. As a consequence I began trying to steer my characters towards
things they didn’t want any association with. And no matter how hard I tried, it
just wasn’t happening.
Sometimes
what we perceive as writers block is writers block at all. Sometimes it’s the
characters in your story that have finally come to life. They know where they
want to go. They know what they want you to see. And they sure as hell know
where they don’t want to go.
Every once
in a while you have to take a step back and unpick things.
And that’s
how I came to delete some thirty thousand words.
I’ve done it
once before on another (unpublished) story I wrote called Season of the wolf. In
that particular instance I realized the story wasn’t working as well as I’d
hoped because I’d picked a character who’s voice wasn’t particularly
interesting to me as a reader, but his son’s voice was. At that point I began
stripping it back to the bare bones until it worked again, and I never looked
back.
Sometimes
what we lament about being writers block, occasionally, turns out to be
something different. And if you listen to the voices on the page long enough,
they’ll show you the way. They always do.
Thanks for
reading.
Saul Hudson.

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